{"id":174,"date":"2020-04-16T06:59:38","date_gmt":"2020-04-16T06:59:38","guid":{"rendered":"http:\/\/doxaproducciones.com\/?post_type=munio_portfolio&p=174"},"modified":"2025-03-11T11:36:09","modified_gmt":"2025-03-11T11:36:09","slug":"artesanias-en-peligro-de-extincion","status":"publish","type":"munio_portfolio","link":"https:\/\/doxaproducciones.com\/english\/peliculas\/serie-artiola\/","title":{"rendered":"ARTIOLA DOCUMENTARY SERIES"},"content":{"rendered":"
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AZURMENDI BROTHERS<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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43\u2019 | Colour | Euskera | HD | Stereo | Subtitles: EN, ES, EU, FR<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Joxe and Patxi Azurmendi are the last basket makers in Matxinbenta, a village in the province of Gipuzkoa traditionally devoted to this activity. Every day they get up at dawn, collect chestnut wood, and cut it into strips. In the same workshop where their parents worked, they bend and polish the strips, and weave them into baskets until sunset, explaining the process in great detail to us while they work.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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TECHNICAL SPECIFICATIONS<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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A project by<\/h6>

Asociaci\u00f3n Artiola<\/p>

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With the support of<\/h6>

Diputaci\u00f3n de Gipuzkoa<\/p>

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Production Company<\/h6>

Doxa Producciones<\/p>

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Script, Director and Editing<\/h6>

Ainhoa Andraka, Moncho Fern\u00e1ndez<\/p>

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Production<\/h6>

Ainhoa Andraka, Maider Idiazabal, Naia Mu\u00f1oz<\/p><\/div><\/div><\/div>

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Cinematography<\/h6>

Ainhoa Andraka, Moncho Fern\u00e1ndez, Izaskun Esparza<\/p>

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Direct Sound<\/h6>

Oier Aldekoa, Jone Novo<\/p>

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Translation and Subtitles<\/h6>

Maider Idiazabal<\/p>

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Music<\/h6>

Oier Aldekoa<\/p><\/div><\/div><\/div><\/div>

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JUAN BARB\u00c9 PAPERGILEA<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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32\u2019 | Colour | Spanish | HD | Stereo | Subtitles: EU<\/span><\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Paper has been made with different types of vegetable fibres and different treatments. In his workshop, Juan Barb\u00e9 has recovered old papermaking techniques, to achieve the high quality paper which has made his name as one of the best paper craftsmen in the country.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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TECHNICAL SPECIFICATIONS<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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A project by<\/h6>

Asociaci\u00f3n Artiola<\/p>

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With the support of<\/h6>

Diputaci\u00f3n de Gipuzkoa<\/p>

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Production Company<\/h6>

Doxa Producciones<\/p>

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Script, Director and Editing<\/h6>

Ainhoa Andraka, Moncho Fern\u00e1ndez<\/p>

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Production<\/h6>

Maider Idiazabal, Ainhoa Andraka<\/p><\/div><\/div><\/div>

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Cinematography<\/h6>

Ainhoa Andraka, Zuri Goikoetxea<\/p>

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Direct Sound<\/h6>

Oier Aldekoa<\/p>

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Editing Assistant<\/h6>

Chia-Yu Lin<\/p>

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Translation and Subtitles<\/h6>

Jurdana Martin, Max S\u00e1nchez-Kollegger, Nagore Andraka, Maider Idiazabal<\/p>

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Music<\/h6>

Oier Aldekoa<\/p><\/div><\/div><\/div><\/div>

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JAUREGUI AIZKORAK<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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30\u2019 | Colour | Euskera | HD | Stereo | Subtitles: EN, ES<\/span><\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Jose Ram\u00f3n Jauregui is the third generation of a family of blacksmiths and he founded his current workshop 80 years ago in Urnieta. Today Jos\u00e9 Ram\u00f3n is the last blacksmith in the Basque country and he still works in the workshop where he learned his trade.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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TECHNICAL SPECIFICATIONS<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

<\/i><\/div>
A project by<\/h6>

Asociaci\u00f3n Artiola<\/p>

<\/i><\/div>
With the support of<\/h6>

Diputaci\u00f3n de Gipuzkoa<\/p>

<\/i><\/div>
Production Company<\/h6>

Doxa Producciones<\/p>

<\/i><\/div>
Script, Director and Editing<\/h6>

Ainhoa Andraka, Moncho Fern\u00e1ndez<\/p>

<\/i><\/div>
Production<\/h6>

Ainhoa Andraka, Maider Idiazabal, Nagore Andraka<\/p><\/div><\/div><\/div>

<\/i><\/div>
Cinematography<\/h6>

Ainhoa Andraka, Moncho Fern\u00e1ndez<\/p>

<\/i><\/div>
Direct Sound<\/h6>

Oier Aldekoa, Nagore Andraka<\/p>

<\/i><\/div>
Editing Assistant<\/h6>

Maider Idiazabal<\/p>

<\/i><\/div>
Translation<\/h6>

Maider Idiazabal, St\u00e9phanie Priou, Helena Chavarr\u00eda<\/p><\/div><\/div><\/div><\/div>

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VIDRIERAS MORILLAS<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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36\u2019 | Colour | Spanish | HD | Stereo | Subtitles: EU<\/span><\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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In this documentary we meet the master artisan Javier Mart\u00ednez, one of the last active craftsmen devoted exclusively to the craft of making stained glass. From start to finish, he shows us the different techniques involved in making stained glass.<\/span><\/p>\n

Javier started out as a glass maker by chance but 40 years later he is the last artisan working exclusively in stained glass, in the workshop Vidrieras Morillas (Morillas Glassworks) that he inherited from his master.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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TECHNICAL SPECIFICATIONS<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

<\/i><\/div>
A project by<\/h6>

Asociaci\u00f3n Artiola<\/p>

<\/i><\/div>
With the support of<\/h6>

Diputaci\u00f3n de Gipuzkoa<\/p>

<\/i><\/div>
Production Company<\/h6>

Doxa Producciones<\/p>

<\/i><\/div>
Script, Director and Editing<\/h6>

Ainhoa Andraka, Moncho Fern\u00e1ndez<\/p>

<\/i><\/div>
Production<\/h6>

Ainhoa Andraka, Nagore Andraka<\/p><\/div><\/div><\/div>

<\/i><\/div>
Cinematography<\/h6>

Ainhoa Andraka, Zuri Goikoetxea<\/p>

<\/i><\/div>
Direct Sound<\/h6>

Oier Aldekoa, Nagore Andraka<\/p>

<\/i><\/div>
Editing Assistant<\/h6>

Chia-Yu Lin<\/p>

<\/i><\/div>
Translation<\/h6>

Jurdana Martin, Max S\u00e1nchez-Kollegger, Nagore Andraka, Maider Idiazabal<\/p><\/div><\/div><\/div><\/div>

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